In boxing, they say styles make fights. Well, you could say the same thing about movie posters (although most movie poster fans are lovers not fighters.)
But if there were a brawl to break out among two International movie poster artists — Italian stallion, Silvano (“Nano”) Campeggi, and Spanish designer, Jano (Francisco Fernández Zarza), would be an excellent battle. (MoviePosterDB)
While Boris Grinsson was busy doing all the “B” movie posters for The Syndicat, Roger Soubie was the A-lister at the firm. And his top ranking was well deserved as his finely depicted sexy sirens and sci-fi scenarios indeed put him on another planet.
Martine Boyer and Pierre Bourdy’s book showcases Soubie’s flamboyant style with splashes of color and insight, illuminating the artist’s substantial entry into the 2,000+ club. But as lithography was supplanted by offset printing and photography, Soubie met the same fates as those of his comrades, Bonneaud, Grinsson, and Noël, and moved onto other areas of travel and advertising design work until his death in 1984 at the age of 86.
Movie Poster Museum 