Geleng-A-Ding-Ding!

Rinaldo Geleng (1920-2003) will forever be immortalized as one of Federico Fellini’s best friends in life — most notably, from his cameo appearances in the master auteur’s biography, Federico Fellini: His Life and Work, as well as the 2002 doc, Fellini: I’m A Born Liar.

But Geleng was an accomplished artist in his own right as he first attained a modicum of fame as a portrait painter in Italy — then his career really took off when Fellini hired him to head the art department for his early 50’s films. Their partnership continued on through the 80’s, as Geleng created an astonishing array of both Italian and French movie posters for some of the most popular films of their time (Bus Stop, A Streetcar Named Desire, An Affair To Remember), each design trademarked by his easily recognizable, vertically-challenged signature that appears to fall off the page.

And Geleng spread his artistic talent genetically onto his son, Giuliano, who created the famous Amarcord poster for Fellini’s 1973 film (bottom row, far right). In 2000, Felllini, honored his old pal by presenting an exhibition of his work at the Galleria Ca’d’Oro in Rome.

The Way We Was…

Over the long weekend, I picked up the Italian 1p movie poster (aka “foglio”) of The Way We Were from EMoviePoster for $40 (top left).

Initially, moments after winning, I felt a bit of buyer’s remorse since I’m not a huge Streisand fan, but then I saw that it was going for $300 and up on other websites, which made me feel much better…Plus, with Christmas coming around the corner, I need to get something for Grandma. You know how the ladies love that Bobby Redford!

Taschen Presents…

Taschen, the world’s leading publisher of high quality art/design/film books (and yes, there’s plenty of sexy titles, too!), has a whole slate of terrific tomés for serious movie buffs, including special editions on Audrey Hepburn, Taxi Driver, Some Like It Hot, and The Godfather Family Album.

What’s also cool about their website besides the literary eye candy — is that they feature a number of author videos and flip-through pages of their latest releases, in case you can’t afford the $700 Audrey Hepburn photo book!

An Underappreciated Actress

The New York Times had a nice tribute to the career of actress, Jill Clayburgh, who passed away over the weekend…

Movie Posters By Numbers!

Movie Posters By Numbers…Part 2

The Promised Landi

Like his contemporaries, René Ferraci and Jouineau Bourduge, Michel Landi came into prominence in the French movie poster world in the mid-1960s, just as photography and offset printing was supplanting traditional illustration.

Undoubtedly most known for his iconic poster of the 1968 Steve McQueen classic, Bullitt, Landi also pumped out a fleet of other popular designs for many of the era’s most memorable films.

Remake Monday: Solarises

It sounds like psoriasis — but Solaris was a fairly popular sci-fi pic made in 1972. I first came upon the splendid Russian poster below on the cover of The Art of the Modern Movie Poster (second from left). The film was later relaunched in 2002 (or, some might say had a failure to launch) with George Clooney.

Ferracci Friday!

René Ferracci (1927-1982) was like the Ferrari (or Gucci, if you prefer handbags) of French movie poster artists back in the late 1960s — because at the time, nobody had seen anything like him! Similar to Sergei Eisenstein who invented montage on film with The Battleship Potemkin, Ferracci was one of the early pioneers to introduce photo-montage/collage designs into his posters, mixing color illustrations with black-and-white photography (or vice versa) and offset printing.

And it worked out very well for him as Ferracci became a brand name in the movie poster world — as well as a marketing expert in branding — by being one of the first artists to stamp (not sign) his name on each of his posters.