If you are anywhere near the 90210 this weekend and have a few extra grand to blow on vintage movie posters, then you might want to blow it at The Heritage Auction Galleries on November 12-13 where they are hosting one of their yearly Live Signature auctions.
Although the prices are too rich for my blood, they feature some most amazing images from the early 20th Century and beyond…
A few years ago, Stanislas Choko, owner of the renowned Intemporel Galerie in Paris, came out with a handsome set of poster books featuring legendary 20th Century French artists, Roger Soubie (Martine Boyer, Pierre Bourdy), Boris Grinsson (Jean Segura), Guy Gerard Noel (Christophe Capacci), and Jacques Bonneaud (Claude Bonneaud, Erwan Serveau).
(FYI, Intemporel means “Timeless” in English for all you non-Francophiles out there.)
Anyway, I recently discovered on Intemporel’s eBay store that Choko has slashed 60% off the prices of each book down to $15 (or, make that 12 Euros from the normal 29)!
So no matter where you’re from or what language you speak, this is an absolute steal as these handsome little tomés feature some of the most beautiful French posters ever created in the history of motion picture art…and thus will most likely be the closest chance I’ll ever have to getting my hands on them!
At first glance, picking a favorite of these books is like picking a favorite child. But since I don’t have kids, I’ll have to say that I probably most enjoyed the Boris Grinsson book. But of course I’m a little biased since I’m a huge Grinsson fan and love a lot of the comedy films he worked on. So depending on your personal taste, it’s really hard to go wrong with any one of these treasures.
IMHO, here are my takes on each of these lovely books below…
The life of Boris Grinsson could be a movie. Born a Russian Jew in 1907, he abandoned his dreams of acting to become a designer in Berlin. But then after doing an anti-Hitler poster depicting the Führer as an archangel of death in 1933, the Nazis soon came after him and he fled to rural France with his German wife. For years, he survived doing farmwork in the liberated zone, painting frescoes in dance bars, cafes, and, yes, movie theatres.
It wasn’t until after the war ended in 1944 that he was able to safely return to Paris and his one true love: designing movie posters. He joined The Synidcat, a French publicity agency, where the established veteran, Roger Soubie, got all the “A” films and Grinsson did all the “B” movies. But Boris finally found his calling as he soon became highly sought after and never met a commission he didn’t like, as he covered pretty much every genre from animated cartoons and comedies to epic period dramas and action thrillers.
A year before he died in 1999 at the age of 92, Stanislas Choko’s Galerie Intemporel organized a retrospective of his voluminous work at Espace Saint Jean in Melun, France.
While Boris Grinsson was busy doing all the “B” movie posters for The Syndicat, Roger Soubie was the A-lister at the firm. And his top ranking was well deserved as his finely depicted sexy sirens and sci-fi scenarios indeed put him on another planet.
Martine Boyer and Pierre Bourdy’s book showcases Soubie’s flamboyant style with splashes of color and insight, illuminating the artist’s substantial entry into the 2,000+ club. But as lithography was supplanted by offset printing and photography, Soubie met the same fates as those of his comrades, Bonneaud, Grinsson, and Noël, and moved onto other areas of travel and advertising design work until his death in 1984 at the age of 86.
First up from The Stanislas Choko Collection is Jacques Bonneaud, who might very well have been the first modern-day poster artist workaholic. He never took vacations as every day at dawn, he would go to work alone at his studio, utilizing his talents for composing dramatic scenes with stunning portraiture and sumptuous colors. Often described as unrelenting, monastic, and unsociable (since he had few friends in the biz) — Bonneaud was a fast worker, which was rare in the lithography world.
But all of his hard work certainly paid off! Over a 35-year career from 1922-1957, he did over 2,000 film posters — even though he wasn’t a huge movie fan. Before each assignment, he simply read the script and took a cursory look at a few B&W publicity stills before he went back to the drawing board.
Unfortunately, at age 60, his style went out of style and he spent the last remaining years of his career at a print shop designing advertising labels for dairy products. However, his gorgeous work still lives on and now you can see it all here.
Who says you can’t learn something new everyday? I came across this classic article on the history of movie posters and the National Screen Service, written by none other than longtime EMP dealer, Bruce Hershenson, way back in 1998. So I thought I’d share it with those who missed it the first time around…(via All Poster Forum)
Speaking of real estate, the MoPo forum had a fascinating story last week about a man who discovered a whole treasure trove of vintage movie posters in his attic!
The LA Times has a nice write-up about a new exhibit at The Smithsonian American Art Museum featuring two of Norman Rockwell’s biggest fans/collectors, Steven Spielberg and George Lucas. Although the exhibition doesn’t feature Rockwell’s movie posters, it will showcase the master storyteller’s All-Americana skills.
No, this is not a sequel to the Tom Hanks dog buddy comedy. I’m talking movies about Prohibition! I finally got around to seeing Public Enemies with Johnny Depp and started getting a little nostalgic about some other gangster/moonshiney movie posters of yore…
But if you literally want to get into the Prohibitive spirits, check out the Speakeasy Ales brewery in San Francisco. And The Atlantic also recently published an article about Hipster Moonshine.
Wow, after all this liquor talk, I need a drink!
Movie Poster Museum 