B is For Boris

The life of Boris Grinsson could be a movie. Born a Russian Jew in 1907, he abandoned his dreams of acting to become a designer in Berlin. But then after doing an anti-Hitler poster depicting the Führer as an archangel of death in 1933, the Nazis soon came after him and he fled to rural France with his German wife. For years, he survived doing farmwork in the liberated zone, painting frescoes in dance bars, cafes, and, yes, movie theatres.

It wasn’t until after the war ended in 1944 that he was able to safely return to Paris and his one true love: designing movie posters. He joined The Synidcat, a French publicity agency, where the established veteran, Roger Soubie, got all the “A” films and Grinsson did all the “B” movies. But Boris finally found his calling as he soon became highly sought after and never met a commission he didn’t like, as he covered pretty much every genre from animated cartoons and comedies to epic period dramas and action thrillers.

A year before he died in 1999 at the age of 92, Stanislas Choko’s Galerie Intemporel organized a retrospective of his voluminous work at Espace Saint Jean in Melun, France.

The First Noël…

Guy Gérard Noël was born Guy Carré — but later changed his name to Noël because he was born on Christmas day (and also because I’m sure he felt the moniker gave him a little more caché as an artisté).

Although he is undoubtedly most remembered for his seriously spooky output on the Hammer Horror series of posters distributed by Universal from 1950-1973, I personally have always found his romantic drama pieces much more appealing. But that’s just me. If you really want to know Noël, then you must check out EatBrie’s scary collection or, of course, just buy the book.

After retiring to the French countryside in the late 60’s to illustrate books and record covers, Noël died of a heart attack in 1994 at the age of 82.


Soubie Special!

While Boris Grinsson was busy doing all the “B” movie posters for The Syndicat, Roger Soubie was the A-lister at the firm. And his top ranking was well deserved as his finely depicted sexy sirens and sci-fi scenarios indeed put him on another planet.

Martine Boyer and Pierre Bourdy’s book showcases Soubie’s flamboyant style with splashes of color and insight, illuminating the artist’s substantial entry into the 2,000+ club. But as lithography was supplanted by offset printing and photography, Soubie met the same fates as those of his comrades, Bonneaud, Grinsson, and Noël, and moved onto other areas of travel and advertising design work until his death in 1984 at the age of 86.

Bonneaud Appétit!

First up from The Stanislas Choko Collection is Jacques Bonneaud, who might very well have been the first modern-day poster artist workaholic. He never took vacations as every day at dawn, he would go to work alone at his studio, utilizing his talents for composing dramatic scenes with stunning portraiture and sumptuous colors. Often described as unrelenting, monastic, and unsociable (since he had few friends in the biz) — Bonneaud was a fast worker, which was rare in the lithography world.

But all of his hard work certainly paid off! Over a 35-year career from 1922-1957, he did over 2,000 film posters — even though he wasn’t a huge movie fan. Before each assignment, he simply read the script and took a cursory look at a few B&W publicity stills before he went back to the drawing board.

Unfortunately, at age 60, his style went out of style and he spent the last remaining years of his career at a print shop designing advertising labels for dairy products. However, his gorgeous work still lives on and now you can see it all here.

Don’t Know Much About History…

Who says you can’t learn something new everyday? I came across this classic article on the history of movie posters and the National Screen Service, written by none other than longtime EMP dealer, Bruce Hershenson, way back in 1998. So I thought I’d share it with those who missed it the first time around…(via All Poster Forum)

Bicycle Thief Writer Dies

Sad to say, it was the end of the road for Italian female screenwriter, Suso Cecchi D’Amico, who died at the ripe old age of 96 this weekend. But judging by her tremendously prolific career, what a ride it was!

Remake Monday: You’ve Got Mail Around the Corner

Jimmy Stewart (1940) vs. Tom Hanks (1998).

Buried Treasure!

Speaking of real estate, the MoPo forum had a fascinating story last week about a man who discovered a whole treasure trove of vintage movie posters in his attic!

Alterna-Tati

Like Hitchcock, Jacques Tati wasn’t afraid to insert himself into his movies as his Monsieur Hulot character/profile was finely cultivated and featured prominently in many of these alternative versions of posters from various countries.

Here’s a more detailed poster comparison for Trafic (of course, not to be confused with Steven Soderbergh’s Traffic).