What I forgot to mention in yesterday’s post about the passing of Blake Edwards is that pre-dating his extensive comedy résumé, he also directed Breakfast At Tiffany’s, undoubtedly one of the most well known movie poster images of our time…
Category Archives: Italian movie posters
Geleng-A-Ding-Ding!
Rinaldo Geleng (1920-2003) will forever be immortalized as one of Federico Fellini’s best friends in life — most notably, from his cameo appearances in the master auteur’s biography, Federico Fellini: His Life and Work, as well as the 2002 doc, Fellini: I’m A Born Liar.
But Geleng was an accomplished artist in his own right as he first attained a modicum of fame as a portrait painter in Italy — then his career really took off when Fellini hired him to head the art department for his early 50’s films. Their partnership continued on through the 80’s, as Geleng created an astonishing array of both Italian and French movie posters for some of the most popular films of their time (Bus Stop, A Streetcar Named Desire, An Affair To Remember), each design trademarked by his easily recognizable, vertically-challenged signature that appears to fall off the page.
And Geleng spread his artistic talent genetically onto his son, Giuliano, who created the famous Amarcord poster for Fellini’s 1973 film (bottom row, far right). In 2000, Felllini, honored his old pal by presenting an exhibition of his work at the Galleria Ca’d’Oro in Rome.
Django Was His Name-o!
While Clint Eastwood became the king of the Spaghetti Westerns, there was also another Italian badass by the name of Franco Nero who starred in a bunch of Django movies and was the poster boy for a bunch of really cool Italian posters. Would’ve loved to have seen ol’ Franco and Clint in a shootout!
My personal favorite is the Tempo di Massacro (aka The Brute and the Beast) by Italian artist, Sandro Symeoni (top, middle), but then again, the Django (bottom) by Rodolfo Gasparri ain’t bad either.
The Way We Was…
Over the long weekend, I picked up the Italian 1p movie poster (aka “foglio”) of The Way We Were from EMoviePoster for $40 (top left).
Initially, moments after winning, I felt a bit of buyer’s remorse since I’m not a huge Streisand fan, but then I saw that it was going for $300 and up on other websites, which made me feel much better…Plus, with Christmas coming around the corner, I need to get something for Grandma. You know how the ladies love that Bobby Redford!
Jubal-ee!
Dang, who knew Glenn Ford could be so sexy? I always remember him as the creepy doc in the 80’s schlockfest, Happy Birthday To Me — but he sure do look good in a cowboy hat, don’t he? I think these Italian movie posters for Jubal (1956) will back me up on that.
Btw, the top left and bottom versions were done by none other than Alfredo Capitani of the infamous BCM Studio — but of course, he could make anyone look good!
Bocce Balls of Joy!
Okay, I’m ripping off the “Bocce balls!” line from Splash — but there’s nothing that gets me more pumped for the weekend than big, bright, bouncy, colorful balls…on movie posters!
Marriage and Divorce, Italian Movie Poster Style
Continuing with the Italian theme, here are some of the best foreign film posters from the Marcello Mastroianni-Sophia Loren romance sagas, Divorce Italian Style (1961) and Marriage Italian Style (1964). (The order is Italian, French, Argentinean, and another Frenchie by Ferracci.)
Mambo Italiano!
In the mood for a little Italian? Then you’ll surely feast on New York Times film critic/vintage movie poster collector Dave Kehr’s “imaginatively-titled” book, Italian Film Posters!
Kehr goes beyond the traditional Italian classics, such as La Dolce Vita and The Bicycle Thief — and features a bowlful of astonishing, lesser-known beauties as well as fills in some nice chunks of history on the notorious BCM Studio (Anselmo Ballester, Alfredo Capitani, and Luigi Martinati), a trio of artists that launched their designs on the early International movie poster industry. And even though the book’s already been out a few years, I’m sure you’ll agree that the images featured inside are timeless.
Also, while you’re at it, don’t forget about Dave Kehr’s other poster books, including The Art of the Modern Movie Poster, Exploitation Movie Posters, and The Independent Movie Poster Book.
Poster Ripoff?
After taking a closer look at The Big Heat poster/cover (illustrated by Anselmo Ballester) of Dave Kehr’s Italian Film Posters, it reminded me of the famous Blade Runner one sheet designed by John Alvin…





















































